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REBUILDING THE RENAISSANCE PODCAST
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Rebuilding The Renaissance podcast will explore the development of the art, architecture, culture and history in Italy, from ancient Roman times through the Renaissance. Listeners will develop an understanding of Italy’s role in the development of Western civilization and an ability to appreciate and understand works of art in their historical context.
Episodes
Episode 270 – Caravaggio: Wanted Dead or Alive
O May 28, 1606, Caravaggio stabbed and killed a man named Ranuccio Tommasoni in Rome, allegedly over an unpaid wager. Discover the details of the homicide that changed Caravaggio’s life forever and turned him into a fugitive from justice....
Episode 269 – Caravaggio’s St. Jerome (Borghese Gallery)
In 1605, Caravaggio painted an image of St. Jerome for Cardinal Scipione Borghese, and the painting is still located in the Borghese Gallery in Rome, Italy. Caravaggio’s depiction of the Father of the Church is a very quiet and intimate one, where we see a scholar in a sparsely furnished room cons...
Episode 268 – Caravaggio’s “Madonna of the Palafrenieri”
Painted in 1605 for the chapel of the Papal grooms, known as “Palafrenieri,” in the new Basilica of St. Peter, Caravaggio’s painting was removed after only a few days because it was considered indecorous. The stark nudity of the Christ Child, the bulging breasts of the Virgin Mary (who was mod...
Episode 267 – Caravaggio’s “Deposition”
Located in the Pinacoteca of the Vatican Museums, Caravaggio’s “Deposition” was thought by many of his contemporaries to be the painter’s greatest work.  The dramatic representation of very real-looking biblical characters handling the dead body of Christ in a shallow, tenebrously-lit f...
Episode 266 – Caravaggio’s “Death of the Virgin”
Commissioned in 1601 for a chapel in the Roman church of Santa Maria della Scala, Caravaggio’s “Death of the Virgin” was rejected by the Carmelite friars of the church. While some believe it was because of the stark and indecorous representation of the dead Virgin Mary, one of Caravaggio’s b...
Episode 265 – Caravaggio’s “Madonna of Loreto”
Located in the Augustinian church of Sant ’Agostino in Rome, Italy, the “Madonna of Loreto” is one of Caravaggio’s most beautiful paintings. It was painted for the Cavalletti family in 1604 and depicts a barefoot Virgin Mary (who was modeled from a well-known prostitute) standing in a rundow...
Episode 264 – Caravaggio’s “Amor Vincit Omnia” (“Love Conquers All”)
In the summer of 1602, Caravaggio painted what one art historian described as “the most nakedly libidinous of the painter’s secular mythological works.” Employing the same model that he previously used for his “St. John the Baptist,” Caravaggio creates a disturbingly realistic sexual metap...
Podcast 263 – Caravaggio’s “Incredulity of St. Thomas”
It was for one of his most important patrons, the fabulously wealthy banker, Vincenzo Giustiniani, that Caravaggio painted one of his most moving works – the “Incredulity of St. Thomas.” The skeptical apostle Thomas probes Christ’s wound with his finger in a disturbingly graphic way that onl...
Episode 262 – Answers to Open Questions XIX
From the source of the canvases used for large Venetian paintings in the Renaissance, to the death and burial of Masaccio, to the tradition of Madonarri in the Renaissance, to the difference between chiaroscuro and tenebrism, and much, much more - this episode answers the very questions that you a...
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NBC News
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The History Channel
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National Geographic
Young Presidents' Organization
CEO
Friends of the Uffizi Gallery
Eataly
Syracuse University
Palazzo Tornabuoni
Ohio Kent State University
Boston College
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