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Rebuilding The Renaissance podcast will explore the development of the art, architecture, culture and history in Italy, from ancient Roman times through the Renaissance. Listeners will develop an understanding of Italy’s role in the development of Western civilization and an ability to appreciate and understand works of art in their historical context.
Episodes
Episode 217 – Michelangelo’s “Crucifixion of St. Peter” (Pauline Chapel)
Shortly after completing the “Conversion of St. Paul” fresco in the Pauline Chapel in the Apostolic Palace in the Vatican, the 70-year-old Michelangelo began his complimentary “Crucifixion of St. Peter.” While the image of St. Peter crucified in an upside-down position was quite common in Ro...
Episode 216 – Michelangelo’s “Conversion of St. Paul” (Pauline Chapel)
Even before completing “The Last Judgment” in the Sistine Chapel, Pope Paul III had chosen Michelangelo to decorate the walls of his new namesake chapel – the Pauline Chapel. Used as an antechamber to the Sistine Chapel, the Pauline Chapel contains Michelangelo’s last two paintings. This epi...
Episode 213 – Michelangelo’s Laurentian Library in Florence Part III
This episode analyzes the extraordinary reading room of Michelangelo’s Laurentian Library in Florence, Italy. Faced with having to reduce the weight of the building, Michelangelo designed a type of structural cage into which he inserted layered walls, elegant architectural elements, and handsome f...
Episode 212 – Michelangelo’s Laurentian Library in Florence Part II
This episode analyzes Michelangelo’s visionary architectural design for the vestibule - better known as the “Ricetto” – of the Laurentian Library. Dominated by the famous staircase which Michelangelo claimed appeared to him in a dream, the space perfectly expresses Michelangelo’s radical n...
Episode 211 – Michelangelo’s Laurentian Library in Florence Part I
In 1524, the Medici Pope Clement VII asked Michelangelo to design and build a new library to house the extraordinary collection of manuscripts and books owned by the family. The logical location was the Medici-sponsored complex of San Lorenzo. This episode analyzes the construction history of the li...
Episode 210 – Baccio Bandinelli’s “Hercules and Cacus” (Florence)
Although the commission was originally given to Michelangelo in 1508, the eventual carving of the sculpture fell into the lesser hands of Baccio Bandinelli. Symbolic of the new authoritative Medici regime and rule over the city, the sculpture was a strong man image intended to warn Florentines of th...
Episode 209 – Michelangelo’s Last Judgment Part IV
This final episode dedicated to Michelangelo’s great fresco on the altar wall of the Sistine Chapel addresses the controversy surrounding the explicit nudity in the painting. When formal protests by high-ranking figures in the papal court were made, Michelangelo responded by including one of their...
Episode 208 – Michelangelo’s Last Judgment Part III
This episode analyzes the majestic composition and singular iconography of Michelangelo’s fresco on the altar wall of the Sistine Chapel. From the lack of any architectural elements to the use of ambiguous saint imagery, Michelangelo introduced a revolutionary and surprisingly modern way to repres...
Episode 207 – Michelangelo’s Last Judgment Part II
To create a suitable surface for Michelangelo’s “Last Judgment,” major alterations were made to the altar wall of the Sistine Chapel. This episode examines those physical preparations, as well as the art that was lost in order to make way for Michelangelo’s great fresco. It also surveys earl...
Episode 206 – Michelangelo’s Last Judgment Part I
Twenty-four years after completing its ceiling, Michelangelo returned to the Sistine Chapel to paint its altar wall. His gigantic “Last Judgment” took five years to complete and scandalized Rome as many of its holy characters were depicted in the nude. This podcast examines the history of the c...
Episode 205 – Titian’s “Penitent Magdalene” (Pitti Palace)
In 1531, Titian painted the incredibly sensuous image of Mary Magdalene for Duke Federico II of Mantua who, in turn, gifted it to the celebrated poetess Vittoria Colonna. By combining the two best-known versions of Mary Magdalene – prostitute and penitent – Titian produced a profound image of sp...
Episode 204 – Titian’s “Venus of Urbino” (Uffizi Galleries)
Titian was the greatest Venetian painter of his age. His reputation and achievements in 16th-century Europe were rivaled only by Michelangelo. Venetian artists introduced their own particular style and vision into Renaissance art, as seen in the Venus of Urbino. Suddenly, female nudity and eroticis...
Episode 202 – Palazzo Te in Mantua – Part IV (The Room of the Giants)
Giulio Romano's "Room of the Giants" in the Palazzo Te is one of the most dramatic and unique pictorial cycles in history. Depicting the fall of the Titans to the Olympian gods, the colossal-scale figures, rounded corners, and illusionistic architecture create a veritable sense of virtual reality....
Episode 201 – Palazzo Te in Mantua – Part III (The Room of Psyche)
The Room of Psyche in the Palazzo Te in Mantua, Italy, is one of the most erotic pictorial cycles of the Renaissance. From the 9 ceiling paintings that depict the story of Cupid and Psyche, to the lunettes depicting the labors of Psyche, to the wall paintings depicting examples of divine and bestial...
Episode 199 – The Palazzo Te in Mantua Part II
The pictorial decoration inside of the Palazzo Te in Mantua, Italy, is some of the most inventive and delightful imagery of the Italian Renaissance. From the Room of Ovid, with representations of episodes from the "Metamorphoses," to the Room of the Imprese, with its many coat of arms and playful su...
Episode 198 – The Palazzo Te in Mantua
The Palazzo Te (1526-1535) was both designed and decorated by the great Mannerist artist and pupil of Raphael, Giulio Romano.  Built for the Marquis-turned-Duke of Mantua, Federico II Gonzaga, every detail of the building was intended to delight the visitor. This episode explores the history and ar...
Episode 197 – Correggio’s “Danaë”
Located in the Borghese Gallery in Rome, Correggio's sensual painting of the amorous relationship between Jupiter and the daughter of the King of Argos is sublime. Based on the account in Ovid's "Metamorphoses,'' Correggio is able to transform a literary metaphor into an equally powerful and erotic ...
Episode 196 – Correggio’s Dome Frescoes in Parma Cathedral
Correggio’s breath-taking dome fresco in the dome of Parma cathedral depicts the Assumption of the Virgin (1526). Gigantic painted figures of the apostles stand below an explosion of heavenly clouds and hundreds of angels that create a celestial architecture upon which the Virgin Mary is assum...
Episode 195 – Correggio’s Paintings in the National Gallery of Parma
Parma's National Gallery of Painting houses one of Italy's most important collections of medieval and Renaissance paintings. Amongst its treasures are several altarpieces by the great Correggio. This episode examines these extraordinary paintings and their expressive emotional power, which has inspi...
Episode 194 – Correggio’s Dome Fresco in San Giovanni Evangelista in Parma
After decorating the apartment of a Benedictine abbess, Correggio was called by the nearby Benedictine monks of Parma to decorate their church of San Giovanni Evangelista. The most spectacular of the paintings is the illusionist dome fresco depicting Jesus and the Apostles in dramatic di sotto in s...
Episode 193 – Correggio’s “Camera di San Paolo” in Parma
The Camera di San Paolo (1519) was Correggio’s first major commission in Parma. In the private quarters of a Benedictine abbess named Giovanna Piacenza, he executed a decorative fresco program filled with mythological and festive motifs. The particularly beautiful illusionistic ceiling decoration ...
Podcast 191 – The Capponi Altarpiece Part II
Jacopo Pontormo's altarpiece for the Capponi Chapel in the church of Santa Felicità in Florence, Italy, is one of the most beautiful paintings of the Italian Renaissance. Yet, the subject matter of painting still confuses art historians as it does not fit in any traditional iconographic parameters....
Episode 190 – Pontormo’s “Capponi Altarpiece” – Part I
In 1525, Jacopo Pontormo, one of the greatest Mannerist painters of Florence, was commissioned to decorate the family chapel of Ludovico Capponi in the church of Santa Felicità. While the altarpiece is the chapel's most celebrated work, Pontormo also decorated its dome, pendentives and window wall ...
Episode 186 – Michelangelo’s New Sacristy in Florence Part II
This episode examines the extraordinary tomb of Giuliano de' Medici in the New Sacristy. The allegorical figures of "Day" and "Night" are two of Michelangelo's most beautiful statues, while the "Effigy of Giuliano de' Medici" is a revolution in funerary statuary....
Episode 187 – Michelangelo’s New Sacristy in Florence Part III
This episode examines the extraordinary tomb of Lorenzo de' Medici in the New Sacristy. The allegorical figures of "Dawn" and "Dusk" are two of Michelangelo's most elegant statues, while the "Effigy of Lorenzo de' Medici" is a clear allusion to the Classical "thinker" pose. We also analyze how the s...
Episode 185 – Michelangelo’s New Sacristy in Florence Part I
While working on the facade project of San Lorenzo, Michelangelo undertook another architectural project for Medici Pope Leo X. Known as the New Sacristy, and located in the Medici Chapels in Florence, Italy, the space was intended to serve as a royal funerary space for the Pope's brother and nephew...
Episode 183 – Leonardo da Vinci’s Late and Controversial Works
Although Leonardo’s Virgin, Child and St. Anne may have been commissioned as early as 1503, it was still in the artist’s studio in 1517 - two years before the artist died. The painting of St. John the Baptist is instead considered the master’s last known painting. This episode not only exa...
Episode 181 – Raphael’s “Transfiguration” (Vatican Museums)
Commissioned in 1516, four years before Raphael's premature death at the age of 37, by Cardinal Giulio de' Medici, the "Transfiguration" was Raphael's last great altarpiece. The painting is a sort of summation of Raphael's artistic evolution, and not only synthesizes the artistic styles of Leonardo ...
Episode 178 – Rome – Raphael’s Room of the Fire in the Borgo
The last of the apartments decorated by Raphael for Popes Julius II and Leo X was the Room of the Fire in the Borgo, painted between 1514-1517. Although largely executed by Raphael's student and friend Giulio Romano, the frescoes represent Raphael's mature period and were completed only 3 years befo...
Episode 177 – Rome – Raphael’s Room of Heliodorus
In 1511, after completing the decoration of the Stanza della Segnatura, Raphael began painting the walls of Pope Julius' private audience room. Named after its principal scene - The Expulsion of Heliodorus - the room contains four of Raphael's most beautiful paintings. This episode will explore the ...
Episode 176 – Rome – Raphael’s School of Athens Part III
This is the final episode of a three-part series dedicated to Raphael's great fresco in the Vatican Museums. It addresses the extraordinary Classically-inspired architectural setting of the painting, as well as identifying the celebrated philosophical and scientific personages depicted. Lastly, this...
Episode 175 – Rome – Raphael’s “School of Athens” Part II
This episode explores the decorative context of Raphael's famous fresco. From Apollo on Mt. Parnassus, to the allegorical figures of the cardinal virtues, the extraordinary "Disputa", the paintings around the "School of Athens" are fundamental to its meaning....
Episode 174 – Rome – Raphael’s “School of Athens” Part I
Although Raphael's fresco known as the "School of Athens" is the most celebrated painting of the Stanza della Segnatura, it is actually a part of a much larger program. This episode addresses the original function of the room, which was Pope Julius II's library, and how all of Raphael's paintings ar...
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