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Rebuilding The Renaissance podcast will explore the development of the art, architecture, culture and history in Italy, from ancient Roman times through the Renaissance. Listeners will develop an understanding of Italy’s role in the development of Western civilization and an ability to appreciate and understand works of art in their historical context.
Episodes
Episode 347 – Florence – Museum of Orsanmichele
Built in the 14th century, the Museum of Orsanmichele was originally a grain market, but later turned into a church.  The museum is housed inside of this church and includes a beautiful “Madonna and Child by Bernardo Daddi and a magnificent Gothic “Tabernacle” by Orcagna on the ground floor, ...
Episode 346 – Florence – The Casa Buonarroti Museum
Once a property owned and lived in by Michelangelo, the Casa Buonarroti Museum was created by the famous artist’s nephew to celebrate the legacy of his famous uncle. The museum contains Michelangelo’s two earliest known sculptures - “The Madonna of the Stairs” and “The Battle of the Centau...
Episode 345 – Florence – The Bargello Museum Part III
The collection of sculptures on the ground floor of the Bargello Museum in Florence, Italy, contains one of the world’s most important collections of 16th-century sculptures, including Michelangelo’s “Bacchus”  and  “Pitti Tondo,” Giambologna’s “Mercury” and “Florence Triumph...
Episode 344 – Florence – The Bargello Museum Part II
The collection of sculptures in the great hall of the Bargello Museum in Florence, Italy, located on the second floor, contains one of the world’s most important collections of sculptures, including Ghiberti’s and Brunelleschi’s “Competition Panels,” Donatello’s marble and bronze “Davi...
Episode 343 – Florence: The Bargello Museum – Part I
The building that houses the Bargello Museum in Florence, Italy,  is the earliest example of civic architecture in Florence, built in 1255. Today it houses one of the world’s greatest collections of Renaissance sculpture, including works by Donatello, Ghiberti, Brunelleschi, Verrocchio, Michelang...
Episode 331 – The Ceiling Fresco of Sant’Ignazio in Rome
One of Rome’s most spectacular works of art is the illusionistic fresco that covers the ceiling of the church Sant’Ignazio. It was painted in 1685, covers nearly 40m of ceiling surface and depicts the “Glorification of St. Ignatius of Loyola” in an extraordinary example of trompe-l’oeil pe...
Episode 330 – Rome: The Capuchin Crypt
Located on the famous Via Veneto in Rome, Italy, the 17th-century Capuchin Crypt is one of the world’s most unique examples of funerary decoration. It consists of a series of rooms decorated with human bones! Each room has a different theme based on the type of bone used – skulls, pelvises, leg ...
Episode 329 – Rome: The Spanish Steps
Built between 1723 and 1725, the Spanish Steps in Rome, Italy, are one of the most famous staircases in the world. Consisting of 135 stairs spread over different levels, the steps were immortalized in the famous movie “Roman Holiday” and today are one of the most popular destinations of the “e...
Episode 328 – The Trevi Fountain (Rome)
The Trevi Fountain is arguably the world’s most famous fountain! It was designed in 1732 by the Roman architect Nicola Salvi for a competition staged by Pope Clement XII. Rushing water passes through massive allegorical sculptures and blocks of stones into a massive stone basin in a uniquely drama...
Episode 325 – Borromini’s Church of Sant’Ivo alla Sapienza
Borromini began construction on another of his architectural masterpieces, the church of Sant'Ivo alla Sapienza in Rome, Italy, in 1642 for Pope Urban VIII. His curvilinear façade, bulging drum, and spiraling lantern are all eye-popping aspects of his design. But it is the extraordinary floor plan ...
Episode 324 – Borromini’s Oratory of the Filippini
In 1637, Francesco Borromini designed and began building an oratory – a place for public worship and musical performances – for the followers of St. Phillip Neri, known as the “Filippini.” The façade of this oratory is another of Borromini’s visionary architectural projects with its curve...
Episode 322 – Borromini’s Church of San Carlo alle Quattro Fontane
The church of San Carlo alle Quattro Fontane (1634) - better known to the Romans as San Carlino (“little St. Charles”) due to its small size - is one of the most revolutionary in the history of art and introduces the new architectural vision of a Baroque genius named Francesco Borromini....
Episode 317 – Bernini’s Bridge of Angels
In 1669, at the age of 71, Gian Lorenzo Bernini was commissioned by Pope Clemet IX to renovate the most important pilgrimage bridge in Rome, the Ponte Sant’Angelo. Bernini planned on installing 10 spectacular statues of angels holding the instruments of the passion, only two of which were ultimate...
Episode 316 – Bernini’s “Elephant”
Completed in 1667 and located in front of the church of Santa Maria Sopra Minerva in Rome, Italy, Bernini’s “Elephant” is a powerful symbol combining Egyptian lore and Roman power. The elephant was designed as an imaginative base for the ancient Egyptian obelisk from the 6th century BCE....
Episode 310 – Bernini’s Sant’Andrea al Quirinale in Rome
Gian Lorenzo Bernini was commissioned in 1658 by the nephew of the late Pope Innocent X to build the third Jesuit church in Rome. Sant’ Andrea al Quirinale was Bernini’s first church project, and he did not disappoint. The combination of convex and concave forms dressed in polychromed marbles, g...
Episode 309 – Bernini and St. Peter’s Square
In 1656, Gian Lorenzo Bernini was commissioned by Pope Alexander VII to design and build an appropriate forecourt to the Basilica of St. Peter, known as Piazza San Pietro (“St. Peter’s Square”). The resulting space is one of the greatest triumphs of Baroque architecture, combining a trapezoida...
Episode 308 – Gian Lorenzo Bernini’s “Chair of St. Peter”
In 1647, Gian Lorenzo began work on a monumental reliquary for an ancient wooden chair (“Cathedra Petri”) thought to have belonged to St. Peter himself.  The result was a spectacular ensemble of sculpture, gilded architecture, stained-glass and stucco that dominates the western apse of the grea...
Episode 307 – Bernini’s “Fountain of the Four Rivers”
In 1651, with the help of the niece of Pope Innocent X, Bernini was able to sneak his design for the “Fountain of the Four Rivers” into the Pamphilj Palace. When Innocent saw it, he realized that despite being excluded from the competition, Bernini was clearly Rome’s greatest artist and deserv...
Episode 306 – Rome: Piazza Navona
Once the site of an ancient stadium used for athletics (“agones”), the Piazza Navona is arguably Rome’s most famous piazza. It was renovated during the reign of Pope Innocent X in the middle of the 17th century and contains some of Rome’s most spectacular monuments such as Bernini’s “Fo...
Episode 305 – Bernini’s “Ecstasy of St. Teresa” (Part II)
The central sculpture of the Coronaro Chapel in Santa Maria della Vittoria in Rome, Italy, is one of history’s greatest statues. Bernini depicts the ecstatic heavenly experience of the Spanish nun, which is described in vivid detail in St. Teresa’s autobiography....
Episode 304 – Bernini’s “Ecstasy of St. Teresa” (Part I)
In 1647, Gian Lorenzo Bernini was commissioned by Cardinal Federigo Coronaro to design a funerary chapel in the church of Santa Maria della Vittoria in Rome, Italy. While the actual sculpture of the saint’s ecstatic experience is simply breathtaking, its architectural context is also magnificent. ...
Episode 302 – Bernini’s Tomb of Pope Urban VIII
Although commissioned in 1627, at the height of Bernini’s involvement at St. Peter’s, Bernini did not complete the tomb of Pope Urban VIII until 3 years after the pope’s death. Inspired by Michelangelo’s tombs in the New Sacristy in Florence, Italy, the tomb of Urban VIII was also the first ...
Episode 301 – Rome: Bernini’s “Triton Fountain”
The spectacular “Triton Fountain” was carved by Gian Lorenzo Bernini in 1642 for Pope Urban VIII for the piazza named after him – the Piazza Barberini – in the heart of Rome. Made of travertine stone, the fountain depicts the sea god kneeling upon a shell blowing into a conch out of which wa...
Episode 299 – Bernini’s Towers for St. Peter’s
In 1637, Pope Urban VIII decided to let his superstar artist, Gian Lorenzo Bernini realize a project that had been abandoned 25 years earlier – bell towers at either end of the façade of St. Peter’s in Rome. The project would end up being the greatest failure of Bernini’s long, illustrious ca...
Episode 298 – The Barberini Palace in Rome – Maderno, Bernini, and Borromini
In 1627, Pope Urban VIII hired Carlo Maderno to design his new family palace in Rome. When Maderno died two years later, instead of assigning Maderno’s nephew, the visionary architect Francesco Borromini, as architect, the pope gave the job to Gian Lorenzo Bernini. This may have been the beginning...
Episode 296 – Bernini’s Crossing Piers in St. Peter’s
Under the direction of Gian Lorenzo Bernini, head architect of St. Peter’s, a group of sculptors closely associated with him produced three spectacular statues for the crossing piers of the church. These statues represent the three other most important relics of the Vatican – the largest piece o...
Episode 294 – Maderno’s “Confessio” in St. Peter’s
Located directly in front of the high altar of St. Peter’s and below Bernini’s magnificent Baldacchino, Maderno’s “Confessio” is an architectural stage that allows the faithful to revere the remains of St. Peter.  It consists of a beautiful marble balustrade, nearly 100 perpetually burnin...
Episode 293 – Bernini’s Baldacchino
Commissioned in 1623 by Pope Urban VIII – whose coat of arms are ubiquitous throughout the monument - Bernini’s Baldacchino was his first large-scale project. Standing over 100ft. tall, the bronze structure marks the central point of the great Basilica of St. Peter over the tomb of the first pop...
Episode 291 – Bernini’s “Apollo and Daphne”
In 1622, at the age of 24, Gian Lorenzo Bernini began carving his most spectacular sculpture, the “Apollo and Daphne,” for Cardinal Scipione Borghese. The marble statue magically demonstrates the transformation of the nymph Daphne into a laurel tree to escape the advances of the god Apollo....
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