Podcasts-2 - Rocky Ruggiero

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Rebuilding The Renaissance podcast will explore the development of the art, architecture, culture and history in Italy, from ancient Roman times through the Renaissance. Listeners will develop an understanding of Italy’s role in the development of Western civilization and an ability to appreciate and understand works of art in their historical context.

"No one brings the Renaissance to life better than Rocky"

- Historywrocky

"No one brings the Renaissance to life better than Rocky"

- Valoreev

"No one brings the Renaissance to life better than Rocky"

- Treskovich

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Episodes

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Episode 290 – Bernini’s “Pluto and Persephone”

Posted: August 7th, 2024

Located in the Borghese Gallery in Rome, Italy, and carved when Bernini was only 23 years old, the spectacular “Pluto and Persephone” depicts the Greek myth which explains the cyclical seasons. Pluto, the god of the underworld, abducts Persephone. Eventually forced to release her, Pluto tricks P...

Episode 287 – The Façade St. Peter’s

Posted: July 17th, 2024

In 1608, the architect Carlo Maderno was commissioned by Pope Paul V to complete the Basilica of St. Peter by building its façade. That façade has been criticized for centuries for looking more like a palace façade than a church façade because of its emphasis on horizontality. This podcast explo...

Episode 282 – Caravaggio’s “Adoration of the Shepherds”

Posted: June 12th, 2024

Painted for the Capuchin fathers at the church of Santa Maria degli Angeli in Messina, Sicily, in 1609, Caravaggio’s “Adoration of the Shepherds” is a moving spiritual scene within an impoverished and dilapidated setting....

Episode 281 – Caravaggio’s “The Raising of Lazarus”

Posted: June 5th, 2024

After spending some time in Siracusa, Sicily, Caravaggio – still on the run from the Knights of Malta - headed north to the town of Messina. There he painted another of his hauntingly beautiful late works, which, in this case, depicts Christ bringing Lazarus back from the dead. The disturbingly re...

Episode 277 – Caravaggio’s “Sleeping Cupid”

Posted: May 8th, 2024

Caravaggio, still a fugitive from justice, left Naples for Malta in the second half of 1607 most likely because the sensational paintings he produced in Naples were drawing too much attention to him. When he arrived in Malta, he was inducted into the brotherhood and apparently changed his ways. One ...

Episode 272 – Caravaggio’s “David with the Head of Goliath”

Posted: April 3rd, 2024

Painted shortly after Caravaggio killed a man in Rome and was a fugitive from justice, the “David with the Head of Goliath” is today located in the Borghese Gallery in Rome, Italy. The painting was given to Cardinal Scipione Borghese in hopes that he could convince his uncle, Pope Paul V, to par...

Episode 271 – Caravaggio’s “Supper at Emmaus” (2nd Version)

Posted: March 27th, 2024

Located in the Brera Gallery in Milan, Italy, Caravaggio’s 2nd “Supper at Emmaus” was painted in the immediate aftermath of Caravaggio’s murder of Ranuccio Tommasoni on the streets of Rome. A wounded Caravaggio was a fugitive from justice and hiding out from the authorities in the hills sur...

Episode 270 – Caravaggio: Wanted Dead or Alive

Posted: March 20th, 2024

O May 28, 1606, Caravaggio stabbed and killed a man named Ranuccio Tommasoni in Rome, allegedly over an unpaid wager. Discover the details of the homicide that changed Caravaggio’s life forever and turned him into a fugitive from justice....

Episode 269 – Caravaggio’s St. Jerome (Borghese Gallery)

Posted: March 13th, 2024

In 1605, Caravaggio painted an image of St. Jerome for Cardinal Scipione Borghese, and the painting is still located in the Borghese Gallery in Rome, Italy. Caravaggio’s depiction of the Father of the Church is a very quiet and intimate one, where we see a scholar in a sparsely furnished room cons...

Episode 265 – Caravaggio’s “Madonna of Loreto”

Posted: February 14th, 2024

Located in the Augustinian church of Sant ’Agostino in Rome, Italy, the “Madonna of Loreto” is one of Caravaggio’s most beautiful paintings. It was painted for the Cavalletti family in 1604 and depicts a barefoot Virgin Mary (who was modeled from a well-known prostitute) standing in a rundow...

Episode 261 – Caravaggio’s “St. John the Baptist” and the “Taking of Christ”

Posted: January 17th, 2024

After the “Supper at Emmaus,” Caravaggio produced two more paintings for the Mattei brothers. The first was the unorthodox “St. John the Baptist” that today is in the Capitoline Museums in Rome and is a rather unabashed representation of a naked youth embracing a ram and lacking any conventi...

Episode 259 – Caravaggio’s “Conversion of St. Paul”

Posted: January 3rd, 2024

The second painting that Caravaggio produced for the Cerasi Chapel in the church of Santa Maria del Popolo in Rome, Italy, depicts the dramatic conversion of St. Paul on the road to Damascus. While certainly inspired by Raphael’s and Michelangelo’s earlier interpretations of the same subject, Ca...

Episode 258 – Caravaggio’s “Crucifixion of St. Peter”

Posted: December 27th, 2023

Caravaggio’s interpretation of St. Peter’s particular martyrdom – crucifixion in an upside-down position – for the Cerasi Chapel in Santa Maria del Popolo in Rome, Italy, is a moving example of realism and physicality. Three executioners struggle to lift the burly fisherman who seems to embr...

Episode 257 – Caravaggio’s Cerasi Chapel

Posted: December 20th, 2023

Located in the Augustinian church of Santa Maria del Popolo in Rome, Italy, the Cerasi Chapel contains two paintings by Caravaggio – the “Crucifixion of St. Peter” and the “Conversion of St. Paul.” The paintings were commissioned by Monsignor Tiberio Cerasi, who was the treasurer general o...

Episode 256 – Caravaggio’s “St. Matthew and the Angel”

Posted: December 13th, 2023

In 1602, Caravaggio signed his final contract with the Contarelli family to paint an altarpiece for their family chapel in the church of San Luigi dei Francesi in Rome, Italy. The first painting (now lost) that Caravaggio produced was rejected because it depicted St. Matthew as a rustic and rather s...

Episode 255 – Caravaggio’s “Calling of St. Matthew”

Posted: December 6th, 2023

The “Calling of St. Matthew” was the second of three paintings that Caravaggio executed for the Contarelli Chapel in the church of San Luigi dei Francesi in Rome, Italy. It depicts the dramatic moment when Christ called Matthew, the tax collector, to follow him in his mission. Caravaggio transfo...

Episode 254 – Caravaggio’s “Martyrdom of St. Matthew”

Posted: November 29th, 2023

The first of three paintings that Caravaggio painted for the Contarelli Chapel in the official French church of Rome, San Luigi dei Francesi, the “Martyrdom of St. Matthew" was the artist’s first large scale painting. It depicts the assassination of the saint and evangelist at high mass in a d...

Episode 253 – Caravaggio and the Contarelli Chapel

Posted: November 22nd, 2023

Only July 23, 1599, Caravaggio signed the contract with the heirs of Cardinal Matthieu Cointerel (“Contarelli” in Italian) to produce three paintings for their family chapel in the official French church of Rome called San Luigi dei Francesi. This episode examines the history of the church, chap...

Episode 252 – Caravaggio’s “Rest on the Flight into Egypt,” “Penitent Magdalene,” and “Judith and Holofernes”

Posted: November 15th, 2023

This episode addresses three more of Caravaggio’s innovative early paintings in Rome, Italy. Each of the paintings treats conventional subjects in unconventional ways, including using well-known prostitutes as models for the Virgin Mary and Mary Magdalene, and introducing unprecedented violence in...

Episode 251 – Caravaggio’s Paintings in the Uffizi Gallery, Florence

Posted: November 8th, 2023

The Uffizi Gallery in Florence contains three paintings by Caravaggio. Two of them, the “Bacchus” and “The Medusa Shield” were sent by Cardinal Del Monte to Grand Duke Ferdinand de’ Medici, while the third, the “Sacrifice of Isaac,” was acquired later. All three paintings reflect Carav...

Episode 250 – Caravaggio’s Early Works (Sick Bacchus, Boy with Basket of Fruit, Fortune Teller, Cardsharps, Musicians)

Posted: November 1st, 2023

After an inauspicious beginning to his artistic career in Rome, Caravaggio’s photorealistic style and “street” iconography began to draw the attention of some important patrons. The most important of the patrons was Cardinal Francesco Maria del Monte, whose patronage launched Caravaggio’s ca...

Episode 249 – The Life of Caravaggio – The Cursed Painter

Posted: October 25th, 2023

Known as the “pittore maledetto” – or the “cursed painter”, Caravaggio not only revolutionized painting at the turn of the 16th and 17th centuries with his “hyper-realistic” style, but he also literally turned Rome on its head with his often-criminal behavior. Spending much of his time...

Episode 247 – Titian’s “Pietà” (Accademia Gallery, Venice)

Posted: October 11th, 2023

Left unfinished at this death in 1576, Titian’s “Pietà” was intended to serve as his funerary monument. Its extreme use of loose brushstroke and unconventional color combinations led one art historian to describe the painting as an example of “chromatic alchemy.” ...

Episode 245 – Titian’s “Venus Blindfolding Cupid” (Borghese Gallery, Rome)

Posted: September 27th, 2023

Painted around 1565, this exquisite painting exemplifies Titian’s later style with its loose brushstroke, sophisticated use of color, and delicate tonal transitions. The meaning of the painting is somewhat controversial as it does not fall into any traditional iconographical schemes and has conseq...

Episode 244 – Paolo Veronese’s “Feast in the House of Levi” (Accademia Gallery, Venice)

Posted: September 20th, 2023

In 1573, Paolo Veronese was commissioned by the Dominicans at the church of Saints Giovanni and Paolo in Venice to paint a “Last Supper” to replace an earlier version by Titian that had been destroyed by fire. The result was a massive image full of numerous figures engaged in a hedonistic celebr...

Episode 242 – Paolo Veronese’s Church of San Sebastiano in Venice

Posted: September 6th, 2023

Paolo Veronese is the third member of the great Venetian late Renaissance trio that also includes Titian and Tintoretto. The church of San Sebastiano in Venice was decorated over 15 years with paintings exclusively by Veronese and is a veritable shrine to the genius of this great painter. ...

Episode 237 – Tintoretto’s Scuola of San Rocco (Venice)

Posted: August 3rd, 2023

The Scuola Grande of San Rocco in Venice, Italy, is the only active “scuola,” or confraternity, in the city. It has maintained its original appearance and magnificent decoration – nearly all of which was by Tintoretto - for the last five centuries. This podcast explores the history of the scuo...

Episode 234 – Giambologna’s “Rape of the Sabine” (Piazza della Signoria, Florence)

Posted: July 12th, 2023

Still located in the Loggia dei Lanzi where it was installed in 1583, the “Rape of the Sabine” was produced for Grand Duke Cosimo I de’ Medici. While the group of three figures may seem like a fitting representation of the mythological event where Roman men took Sabine women as their wives, th...

Episode 233 – Vasari’s “Last Judgment” (Florence Cathedral)

Posted: July 5th, 2023

The dome frescoes of Florence Cathedral cover nearly an acre of dome surface, making it the world’s largest fresco. Begun by Giorgio Vasari in 1572 and completed by Federico Zuccari in 1579, the main subject of the fresco is the Last Judgment and incudes some strikingly graphic imagery in the Hell...

Episode 232 – Ammannati’s “Neptune Fountain” (Piazza Signoria, Florence)

Posted: June 28th, 2023

Commissioned by Duke Cosimo I de’ Medici for the marriage of his son Francesco to Johanna of Austria, the massive fountain occupies the northwestern corner of the Palazzo Vecchio. Portraying the duke as the god of the sea, the fountain imagery was intended to glorify the Medici dynasty, but was no...

Episode 224 – Tintoretto’s “Finding of the Body of St. Mark” (Brera Gallery, Milan)

Posted: May 3rd, 2023

Another of the great canvases for the Scuola Grande of San Marco dramatically depicts the episode where the body of the evangelist was discovered. The dark painting is dominated by theatrical chiaroscuro and showcases unconventional characters and gestures....

Episode 223 – Tintoretto’s “Stealing of the Body of St. Mark” (Accademia Gallery, Venice)

Posted: April 26th, 2023

Fourteen years after exploding onto the art scene in Venice, Tintoretto produced another dramatic work for the Scuola Grande of San Marco. The intense painting depicts the legendary story of two Venetian merchants stealing the body of St. Mark away from Alexandria in the 9th century....

Episode 222 – Tintoretto’s “Miracle of the Slave” (Accademia Gallery, Venice)

Posted: April 19th, 2023

The Venetian painter Tintoretto exploded onto the art scene in his native city with this large canvas depicting St. Mark rescuing one of his devotees from a horrific death. With its dramatic proscenium characterized by strong foreshortening and dramatic spotlighting, as well as a surprising and dari...

Episode 221 – Michelangelo’s Tomb (Santa Croce, Florence)

Posted: April 12th, 2023

Although he died in Rome, the nearly-89-year-old Michelangelo was buried in a tomb in the great Franciscan Basilica of Santa Croce in Florence, Italy. Discover the tomb monument that celebrates the genius of the divine artist in this episode....

Episode 220 – Michelangelo’s “Rondanini Pietà” (Sforza Castle Museum, Milan)

Posted: April 5th, 2023

Abandoned by Michelangelo just six days before he died in 1564, this is the great artist’s last sculpture – and perhaps his most personal. This podcast explores the history of this unusually frail work and how it reflects the final dramatic years of the divine Michelangelo....

Episode 219 – Michelangelo’s “Bandini/Florence Pietà” (Museo dell’Opera, Florence)

Posted: March 29th, 2023

At about 75 years of age, Michelangelo began carving his second “Pietà” statue. Michelangelo was clearly trying to up his game by carving a group of four figures from a single block of marble. But the most intriguing aspect of this statue is that the extensive visible damage was inflicted by Mi...

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"We recently traveled to Florence with our twin daughters and we wanted them to experience the rich art history of Florence in a more personalized basis. We were grateful that Rocky agreed to this assignment. His Knowledge, love and enthusiasm for the arts was contagious. It was the highlight of our trip!"

Alan L. Rivera

CFO and General Counsel, Millbrook Capital Management, Inc.

"I can say that Rocky Ruggiero is the best among the very best. I have yet to encounter a more precise, informative and commanding teacher or conductor through the beauty and magnificence of Florence and Italy"

Peter Weller

Actor, Director, Writer, Musician, Scholar

"Rocky is a favorite and one of the best art historians we’ve ever used. He has led our family on occasion where are high school and college kids praised how Rocky made art "interesting" and "relevant", while his interactive style held everyone’s attention"

Michael Chesser

President and Founder Chesser Group Inc., Los Angeles CA