The Villa Farnesina was the first Renaissance pleasure palace and belonged to the fabulously wealthy banker Agostino Chigi. The decorations of the palace delighted many a pope and international ruler. On one occasion, dinner was served on golden tableware that …
The last of the apartments decorated by Raphael for Popes Julius II and Leo X was the Room of the Fire in the Borgo, painted between 1514-1517. Although largely executed by Raphael’s student and friend Giulio Romano, the frescoes represent …
In 1511, after completing the decoration of the Stanza della Segnatura, Raphael began painting the walls of Pope Julius’ private audience room. Named after its principal scene – The Expulsion of Heliodorus – the room contains four of Raphael’s most …
This is the final episode of a three-part series dedicated to Raphael’s great fresco in the Vatican Museums. It addresses the extraordinary Classically-inspired architectural setting of the painting, as well as identifying the celebrated philosophical and scientific personages depicted. Lastly, …
This episode explores the decorative context of Raphael’s famous fresco. From Apollo on Mt. Parnassus, to the allegorical figures of the cardinal virtues, the extraordinary “Disputa”, the paintings around the “School of Athens” are fundamental to its meaning.
Although Raphael’s fresco known as the “School of Athens” is the most celebrated painting of the Stanza della Segnatura, it is actually a part of a much larger program. This episode addresses the original function of the room, which was …
This episode examines the extraordinary career of one of the most important painters in history – Raphael Sanzio da Urbino – better known simply as “Raphael.” Along with Leonardo da Vinci and Michelangelo, Raphael heralded in the period known as …
From unfinished church facades, to postponed Palios, to Renaissance giraffes, to Mona Lisa’s smile, to the building behind the Trevi Fountain – and much, much more – this episode answers the very questions that you asked me about the great …
The prophets and sibyls that flank the main scenes of the Sistine Chapel ceiling are some of Michelangelo’s most impressive figures. Their dramatic poses, expressive, vibrant colors and powerful forms are both inspirational and frightening. Below and between them, Michelangelo filled …
The last three Genesis scenes of the Sistine Chapel ceiling demonstrate Michelangelo’s extraordinary ability to represent complex subjects in incredibly effective ways. But they also reveal the divine artist’s haste to complete the ceiling project. This episode closely examines the …