Analyzing a wooden crucifixion in Santo Spirito in Florence, Italy, Todeschini discusses the importance of this specific depiction of the subject. The authorship of the crucifix has always been hotly debated – and many attribute it to Michelangelo – but the focus of this text is the artistry and significance of the artwork rather than its authorship. Recently published, this book is perfect for those looking to stay in-the-know with current discussions in Italian Renaissance art history.