Schedule

LECTURE 1 – SCULPTING THE HUMAN FORM FROM PREHISTORY THROUGH THE ANTIQUE WORLD 

– Monday, November 20

We will start our journey with a discussion of the “Venus” figurines.  These are ancient sculptures of the female form. The oldest is the “Venus of Hohle Fels” dating from about 37,000 years ago while her more famous companion, the “Venus of Willendorf” is about 27,000 years old. How were these images made and, more importantly, why? We will also include a discussion of related prehistoric cave paintings that illustrate the understanding of anatomy by members of prehistoric societies. The refinement of the representation of the human form by the civilizations of the antique world will be considered with an emphasis on the medical uses of these images.

LECTURE 2 – ANATOMY, MEDICINE AND ART IN THE MIDDLE AGES AND EARLY MODERN PAINTING

– Monday, November 27

Turning to the European Middle Ages and Early Modern Period, this lecture focuses on the increasingly sophisticated understanding of human anatomy (and physiology) during this time that was nevertheless compromised and held back by a continued adherence to the ancient “humoral theory” as the basis of health and disease. It was during this period that anatomical knowledge became, albeit slowly, modern and scientific with consequences for both medicine and art. This evolution in the knowledge of how the human body actually looked, both inside and out, and how it functioned, culminated in the drawings and sculptures of artists like Leonardo da Vinci and Michelangelo and in the anatomical work of the great Belgian anatomist, Andreas Vesalius in the mid-16^th century.

LECTURE 3 – FROM THE “ANATOMICAL VENUS” TO “BODY WORLDS”

– Monday, December 4

In our final lecture, we will explore the “golden age” of anatomical modeling with the development of sophisticated methods to produce astoundingly detailed and accurate models in wax. We will take a deep dive into the work of the 17^th century Italian artist, Gaetano Zumbo and the subsequent development of the great wax modeling workshop of Clemente Susini (also in Florence) which produced thousands of anatomical waxes currently in museums like La Specula in Florence and the Josephinum in Vienna. I will draw a line connecting these extraordinary works with the current methods of illustrating the human body (3-D imaging technologies such as MRI) and the controversial plastination techniques pioneered by Gunther van Hagens for his “Body Worlds” exhibitions.