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EXCLUSIVE WEBINAR “Bringing Rome Home: The British and The Grand Tour”

Presented by Dr. Meghan Callahan
with Additional Commentary by Dr. Rocky Ruggiero

Date & Time:
Thursday, April 6, 2023
2:00 – 3:00pm ET | 11:00am – 12:00pm PT |
7:00 – 8:00pm London

Special offer

Details

EXCLUSIVE WEBINAR | “Connoisseurship, Criticism and Collecting in the Gilded Age: Remembering Bernard Berenson”
Presented by Dr. Meghan Callahan
with Additional Commentary by Dr. Rocky Ruggiero

In the 18th and 19th centuries, British artists and architects travelled to Europe on The Grand Tour, considered a vital part of their education. Their ultimate destination was Italy, where they explored the ruins of Rome, encountered the Florentine Renaissance, and wandered around the ancient Greek temples of Southern Italy. In this talk we’ll explore how men like the Adam brothers and Sir John Soane returned to Britain with their sketchbooks filled and ready to rebuild their cities in the Neo-Classical style.

The webinar will include a 45-minute lecture followed by 15-minutes of Q&A.

Please note:

  • Your participation is confirmed once you have purchased your ticket. You will receive the Zoom link to join the presentation circa 30 minutes before the start time.
  • VIDEO RECORDING of the webinar will be available for unlimited streaming at your convenience for 7 days after the event.

Lecturer

Dr. Meghan Callahan has lived and worked in London since 2006. Like Rocky, she earned her Master’s degree in Art History from Syracuse University as a Florence Fellow. She has a Ph.D. in Art History from Rutgers University. Meghan is the Assistant Director for Teaching and Learning at Syracuse University London, where she has taught art history and history classes on Italian Art in London and the UK; Women and Art: London and UK; and Underground London.

She worked on the reinstallation of the Medieval and Renaissance Galleries at the Victoria and Albert Museum, and then with the sculpture dealer Patricia Wengraf. Meghan has published various articles and essays on the architectural patronage of the 16th-century mystic nun Sister Domenica da Paradiso, miraculous paintings in Renaissance Florence, and Italian Renaissance and Baroque sculpture.

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